The home city is different every time I visit. But it is as hot, reminding one of the wild swings in temperature the place is prone to, from a miminum of 6 degrees C to a max of 47 C plus. Yet the champa- frangipani-- was generous, laden with white blooms.The auditorium I went to for a meeting brought back so many memories of school concerts and endless rehearsals on this stage with the singing group—even though the audience was only parents. How we worked hard to make everything pitch perfect. Nostalgia also was prompted by the pharmacy class of 87 getting together on yahoo groups. Who’d have thought that the most reticent of the lot would be taking the initiative, and the one with the pictures that reminded one of how thin one was, once upon a time. It takes a chance meeting with a rather fancy couple on a train journey to make one realize how frenzied and compartmentalized a life one leads, but is that a bad thing? A story that first began in I think 2007—and was cut, recut, reframed, pared, cleaned up, rehashed to infinity, till everything in it changed except for a single visual shot, finally found a home. Else and elsewhere, life goes on. The market marches onward and away without a pause—or a sensible reason.

Last night the strains of the arati, the hymn rich and clear, were like a pied piper's song, and I followed the music up unfamiliar steps to a stranger's home.
I can be happily weird sometimes.

The firecrackers, dholak- cymbals could be heard even as the sedate group chanted the Lord's names, like every week. But the jolt of energy that accompanied the palanquin past the threshold to the altar. Amazing.

AND it is good to get surprised at what life throws your way. Even if you lead a quiet, peaceful existence most times.

Last night on my last walk past ten thirty, the plump quarter moon was efflulgent, haloed in a red and black sky, even as the silence of the night was underlined by distant drums and cymbals from festive processions making their way to the sea, and elsewhere the babel of sundry tv sets and air-conditioners humming pinned the day in place.

Scintillating days.
Watching sunlight flood the green past the trees in the morning.
Watching the wind ruffle through colored flags that line the street.
And the twinkling multicolored lights at night.
The adrenalin charged beats of the dholak.
I've travelled east west north south, visiting friends for darshan.
I've taken so many different modes of transport, met so many helpful strangers along the way.
In unusual places, a benevolent, all-giving calm.
Acres of green as far as the eye can see, in Orlem.
A jutting hilltop viewed from a friend's balcony in Thane as the mist rolls past.
A handkerchief-sized farm, stubborn, jaunty amidst tall buildings.
That blessing from the Lalbaug Cha Raja, even if it was via a forward.
His blessing suffuses through my days.

Yesterday, on my way to the local station, I walked through two village clusters, gaothans, that this mega city has encompassed and swallowed whole in its obsessive growing, proper settlements with one-room homes, a main street and a place of worship. As I watched the lights for the festive season reflected in many puddles and joined the throng of commuters wending homewards, I realized sometimes we see only what we permit ourselves to, and that journey to the end of the world can begin with the next step one takes.

When I can scrounge the time, this is what I have been reading, savoring the stories and wondering how a people who are almost us, are not quite, you know, us; and as a matter of fact quite a little different, all said and done sixty-odd years isn’t much when edifices around span a few centuries.

http://inotherrooms.com/post/43849880/in-other-rooms

In the few stories that I’ve read, something seems to happen to the women’s brains once they have a dominant male in their lives. What does being sharp and jabra (which I’ll politely translate as being self preserving, so sue me) have to do with being educated or being rustic? An instinct for this self preservation is inherent to the gender across the subcontinent, but the women in these stories seem positively addled, vacuous by the second half of the story, which almost always leaves them destitute and abandoned. My unlettered grandmother who ran a tight household with her temper and flying missile-tongs, would have laughed.

In front of me is a postcard in sepia.
Showing Bombay of the 1940’s or thereabouts.
There’s the fountain at Fort, and the road divided into two by a central terminus for trams and taxis.
This looks just beautiful.
Maybe I’m in a sepia mood these days.
Maybe it’s the after-effect from reading about the music and films of the 1930’s. And following up on you tube.
Movies that have now been forgotten. Names that are no longer remembered.
But the parent still remembers.
The songs, the stories, the anecdotes about when he saw the movies and how many times did he see some. Even this spot near Fountain which he used to walk down to, to "pass time" as a penurious paying guest.
I use the kinder “courtesan” for some of the ladies when I take the lines to English.
What choice did they have, really?

Isn’t it surprising and a bit of a treat that the best of words and the finest of movies resonates with something deep within, and make us think, forces us to connect missing pieces by drawing upon our own experiences, diverse as they may be, in order to shade in the colors?
Udaan is a treat. Do not miss.
Joan Didion is a treasure.

In The Final Chapter, there is a para that goes:
“With this change in the color of his eyes, he began to view the story of his life differently. If some parts of personal history were set aside, some other parts positioned appropriately, then he traced his lineage to a learned Brahmin.…”

I caught myself doing just this the past week. If the events of the past few years were thought of differently, juxtaposed and rearranged, parts snipped off and extended, one can pat oneself on the back for foresight and veracity and determination, of the unswerving sort, but of course. Waah boss, waah. When the truth is, it was part laziness, part a dread of the unknown, part life instances (what would we do without life instances to shoulder blame, I don’t quite know), and part lumpen inertia. I have not grinned so much to myself in ages.

My translation of a Gujarati short story by Shri Pravinsinh Chavda, * The Selected Works of Pushpak Bhandari*, is published in Brooklyn Rail In translation.

http://bit.ly/9dEY8q

A writer’s identity is a fragile thing, but what happens when two writers living in the same city share the same name?There is a certain terseness in the original, an abruptness, that I've struggled to do justice to.

FB, comments on blogs on hold until the power situation for the home dabba aka pc is sorted, resolved, corrected. Have run thru 2 spikeguards and 4 fuses, collarsup.

Poignant, lump-in-the-throat moment by the banyan tree y’day, singing the national anthem. Strange yearning to travel, to dissect the length and breath of the nation by train,second class, live the allure and grime-dust of the Gauhati- Hapa, Jammu- Trivandrum, such long distance runners. Fanciful, eh.

Shraavan, the holy month. Did my bit with prayers at the temple, reciting the vishnusahastranam with the motley group. Peace instilling, centering.

Caution: not sweetness and light.
At the end, that's all we condense to: fire, water, air, earth., sky
That young man with the million $ smile, and the brain tumor, the man who was on first name basis with the leading neurologists in the country- didn't make it.
Prayers for his family.
For his wife. For his young daughters who will grow up too quickly.
Prayers, for he suffered too much.
Sometimes I wonder how emotionless I am becoming.

Carter Road, Bandra W, for your viewing pleasure...

Another week, with more of the same… rushing to meet deadlines, sitting by to meet deadlines, cooking, reading, writing, scowling at the market, thrilling in the rain, laughing at *Well done, Abba*
And I can only wonder at what, if anything , changes with the years, or in a bid to amuse ourselves, do we learn to find color in variations on the same theme?

Today, I told myself I’d write. At least try. Sometimes it is worse than pushing toothpaste out of a dry tube.
But how to put on paper the relief-pride of pushing a tale to 3200 words, a tale that you’d despaired at ever attempting, and the feeling at being able to type “finish”. Phew. Done. Whether it makes the cut or not, does not matter—a personal victory.
How to put on paper that mixed sense of joy, quizzical unease at “we are considering”, either reject or accept, why keep me in limbo?
And that despair at seeing the walls of the palace grounds back home demolished, what has the city brought upon itself with this rash move?
So this is where I am.

Without fail a shower greets us every morning in the park, this morning I counted five kinds of green before I stopped counting, happy just to revel in the extravagant palette; the rain as regular as the line up of strays waiting for their biscuit treat, and I wonder how little they, and we, need to keep us going.

Minutes carved out of my Sunday, precious busiest day of the week, between the palak and methi that must be cleaned and the fridge and larder stocked and sorted, and I try and stretch and steal every moment I can spend with you, and it isn’t enough; it really never is.

It is good to go ballistic sometimes.
Like I did. And rarely do.
Compassion, giving space is where I try to operate from—ordinarily.
But you set out to be thoughtless, picked a raw nerve and pulled it taut, just to be social?
So I made sure. Where the line is, not to be crossed.
You will not do this again.

Yes, this is the kind of week it has been. But not bad, otherwise.

The Visitor is solidly good.

The last shot--the sound of drumbeat and the image of the middle aged, balding man in an incongruous suit playing a drum on an empty subway platform even as trains clatter by….Unnerving.

Unfortunately, I watched this in bits, the way I usually catch movies on telly—at dinner, after my walk, so bits and pieces really. Missed the entire beginning sequence.Yet.

A story about immigration, racism, political asylum. Good humans in a bad place. Yet simple, neat, no frayed edges.Matter of fact. If you’re an illegal resident, you can get thrown out for traveling ticketless, picked off the street and poof…No matter if your plea for political asylum has been turned down, or you’d be killed the moment you reach your land.

Not at a grand level, but at a you-and-me level.The other world infringing on a straight jacketed, standard-issue life. Not much of sound and fury about this one.

Brilliant acting by Richard Jenkins.

http://www.youtube.com/watch?v=mGjjx3WMmSE

http://en.wikipedia.org/wiki/The_Visitor_(2008_film)

Rain!

I look at the kid.
Bubbly, full of life, tall and pretty with her Julia Roberts cheekbones and slow smile.
I think back. To the way I was.
Not j, not the green monster.
But by this age I had written and crossed out quite a few life chapters.
Today, I like myself more.

The anticipation of a new book, the wonder, the delight...
Of a people so similar but not quite.


Mornings that are green drenched, the water trickling in tiny rivulets down my face, '
and the familiar takes on the mystery of a place unseen, and magical.